The jealousy of the form (2014)

Chromed steel tubolar, 70x70x70cm, 90x80x40 cm, humus

The project was born of the study of “sad areas” in northern Italy that were subjected to stress identity during the transition from plow to industry.
While the party of the Lega Lombarda used ancient symbols, like the Sun of the Alps, in order to demonstrate a Nordic and Celtic progeny of the people of Padania, physical education was introduced to the nascent Kingdom of Italy, which was held by the Swiss gymnasiarch Rodolfo Obermann in 1848. The sculpture gym recalls the medieval term Bauhütte, the loggia of the masons, through the use of steel in rationalistic forms.